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  1. What are the benefits of collaboratively created work? What are some of its challenges? How might artists seek to overcome them?
  2. What are some the risks of inherent in documentary theatre work such as that done by Anna Deavere Smith or the Civilians?
  3. Is documentary theatre objective?  Why or why not?
  4. What are some story-telling traditions in the USA today?
  5. Why was the American musical a place for exploration of racial tensions in the USA?

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Part 2

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